Shameless self-promotion interlude

Here is a Human Being: At the Dawn of Personal Genomics will be published this fall by HarperCollins. The book is part memoir, part science geek fest, and part journalism. It traces the emergence of a once-radical notion that has, in a just a few short years, become entrenched: the idea that nearly anyone can get access to his or her own DNA sequence for any reason at all. It gives an inside account of the Personal Genome Project, Harvard geneticist and visionary George Church’s ambitious plan to sequence many genomes and make them public. It tells the human stories behind the technology that has enabled personal genomics, the companies seeking to sell you your genetic information, the do-it-yourselfers trying to track down genetic answers about themselves and their families, and the conflicted doctors and scientists who find themselves less than completely prepared for the genomic age. I also tell my own story: a trained human geneticist and genetic counselor eager (perhaps too eager) to experience the life of a research subject and begin to understand what this information means for me, for my family…for all of us.
I’m working on a page for the book, which so far looks…exactly like this. If there is a deeply remedial technical school for WordPress, then I am a promising candidate.
I work as an Assistant Professor in the Duke University Institute for Genome Sciences & Policy (although this site and its content are my own).
In 2007 I became the fourth subject in Harvard geneticist George Church's Personal Genome Project. As the PGP moves forward, I am chronicling the dawn of personal genomics, that is, people obtaining their genomic information for whatever reason(s) and figuring out what to do with it. I am interested in the relevant technologies and especially the attendant privacy and other ethical/legal/social issues.
This blog may also discuss some of my non-genome interests or, to paraphrase Dwight Yoakam, "Guitars, Cadillacs, hillbilly music, etc etc."
The header image comes from the Liz Lerman Dance Exchange's multimedia performance piece, "Ferocious Beauty: Genome."